Proenza Schouler

Top Resort '15 review by Mike Tyle

Can we first talk about how many lookbooks Bo Don got this season... was not expecting it but get that money girl!

Before I get on to my (possibly tipsy) Twitter style reviews of the shows... Here you can see all the looks that I liked the most.

Now... onto some shade/no shade.

3.1 Philip Lim: Sixities theme. Safe. Nice colorways. Those pants in look 23... questionable.

Acne: Oversize and quirky. check and check. Both things Acne knows how to do best. Wasn't feeling the bamboo closures.

Akris: Distracting Greek(?) street background. A lot of chic yet German looking casual wear.

Alexander McQueen: Look #3 gave me SS15 menswear vibes, which is a nice pairing. Seemed more McQ to me in that it was pretty wearable for a normal McQueen look book. I'm not a big flower fan near the end... but loving all of the outerwear made up for it!

Alexander Wang: Look #1 was a lot of look to start off with. I do like the idea of incorporating workwear elements which Wang is always keen to do. Wasn't my fave from him but he's busy.

Altuzarra: As always anything Joseph Altuzarra does I am a fan of. The man knows how to make an A-line skirt and baggy blouse work. His corporate chic meets boho-gypsy designs get me every time.

BCBG Max Azria: Anytime there is a windblown look happening it gets a pass... in this case the whole collection was done on a beach. Naturally I had a lot of favorites... call me a basic mall bitch if you will.

Balenciaga: Still working the colorblind look. Luckily there are some sharp silhouettes to match. Wang had me until the asymmetrical hems came out. But again... he's busy between H&M, T and sharing the fabrics with his eponymous line.

Balmain: Binx does Dynasty with a dash of Kim K. Bebe will be all over this.

Bottega Veneta: Doing what a Resort collection was created to do... sell. I really enjoyed the batik direction the 2nd half went into.

Burberry Prorsum: I always look forward to the Burberry look books! They are well photographed and the clothes tell a story. As always everything was nice but I felt the story being told was, well, nothing new.  I mean, ugh, dip-dye? Still going strong I see. The fabrics and looks seemed just like remixes to familiar styles... trench-update aside.

Calvin Klein Collection: I love me some CK collection. That first coat on Ewers was EVERYTHING. Always innovative fabrics and thankfully finally back in a modern clean streamlined silhouette. I am still having nightmares about Pre-Fall 14...

Carven: Sporty yet girly with innovative fabric mix come to me! Gone is the dirndl-esque girl of yesteryear, far from a hater here, but a new more confident woman has emerged. I could have done without the logo but it was still more tastefully done than Wang SS14.

Chanel: I want to say it was bait racist... but I am sure the middle east will eat this collection up and Chanel will have made their quarter profit on the first day it hits stores.

Christopher Kane: I am on the fence. I think a lot can be done with the styles as separates... I really liked all the stories told and while all different went well together. I would personally nix the cheap looking flower pins/buttons. But Kane always needs a little something quirky to show off.

DKNY: I get it. Baseball caps are a look. But 27 of them?

Derek Lam: It worked for Philip Lim. It seems the 60's are an inspiration all around. Keep at it because it works well.

DVF: I can't. Wendy Williams can wear it well but I didn't find anything new here.

Diesel Black Gold: Saint Laurent meets Sandro.

DSquared2: Fierce. Leave it to the twins to bring to life another campy theme. As always 60 & 70's were prevalent and as always I wanted more.

Erdem: The things you can do with lace, flowers and ruffles. In this case it wasn't the usual Erdem affair but one breaking away from the frilly older women and into a more trend-driven playful girl. Gave me F13 Erdem vibes and I am happy to see a revival.

Fendi: Mesh, pop graphics and of course a bit of fur. Binx rocked these Eurocentric looks and the Logo splashed across the items surprisingly added to the fun.

Gucci: following a 60's Mod inspired F14 comes a resort of the same ilk. The only issue I find is in the fact that many looks could also have come out of a J.Crew catalog.

Herve Leger: Pure Sex. Balmain meets Versace and a high-end better manufactured Bebe was born.

Hugo Boss: I am obsessed with Jason Wu's take on the Hugo Boss woman. Clean, chic, modern still very Hugo Boss but with a twist. I look forward to seeing what the next seasons will provide.

Jason Wu: Neutral palette and clean looks. It was feeling a bit in the direction of Boss wich is a good thing in this case.

Jil Sander: I don't know a time when I haven't found something to love about a Jil Sander collection (the same goes for the Navy line) this case it was no different, bell shapes and monochrome colors. Looks like the new Head of Design is a better fit than expected.

Jonathan Saunders: More of this please. Great individual pieces in color block and interesting prints. Basically what one should expect from a Jonathan Saunders collection. Gold, beige, sliver, bright blues... stripes and lamé fabrics gave the 70's feel Saunders is known for.

Josh Groot: Not yet a household name and came a bit out of left fieId but the clean simple modern lines, black and while minimalism got to me.... basically I was LOVING everything.

Kenzo: Was having some F09/S13 LV feelings. Maybe not so much the bunny and mod themes but never the less some of the fabrics and silhouettes went there. As always I expect Leon & Lim to know the direction they want to take us in and know it well. This season was just as bright and graphic as ever. Yet again cementing their way as fan faves.

Lanvin: Nice Lanvin fodder. But I'm mostly here for Jamie Bochert. Throw in some thin scarves in place of heavy jewelry Lanvin is known for and you have Lanvin collection as expected full of high end fabrics and silhouettes to match. 

Louis Vuitton: F14 rehash with more embellishments and spring colors. Enjoyed the innovative fabrics.

MSGM: Keep doing what you are doing. It's working. Graphic, girly yet modern. 

Margiela: Simple- I. Want. Everything.

Marc Jacobs: Mess. Next. 

Marc by Marc: Better than the main line. Also prob more sellable than Bartley & Hilliers first soldier themed (yet v. cool) showing.

Marni: This and very season of Marni need much more publicity. For such a storied fashion house which a specific aesthetic it seriously grows and gets better every fucking season. WORK!!!

Mary Katrantzou: YES. I am so glad she isn't a one trick pony. I am always ALWAYS wondering what she will pull next. She knows what works and how to push it in the next direction. As far as Resort goes this could easily have been a full FW/SS styled collection. 

Miu Miu: Daphnie from Scooby Doo want's her clothes back. If it is one thing that Miu Miu knows how to do it's bringing 60's back every season and making it just as new and cool as always.

Mugler: David Korma for Mugler just makes sense.

Nina Ricci: The only difference between any Nina Ricci collection is basically that since S10 it hasn't been designed by Theyskens. Otherwise just as French and feminine as always.

No. 21: Yet another diffusion line getting it better than the main brand. This seasons No. 21 brought the Italian flair and newness I always expect from them. Wish I could see every girl wearing these clothes.

Peter Pilotto: As always there is A LOT happening. The photos are jarring but as all Pilotto designs look wonderful in real life.

Prabal Gurung: Bold color blocking and graphic paint strokes, but not in the vain of Celine. Always a fan just next time no Lurex please.

Preen: I really don't know which line to review since they are both separate but equal in my eyes. Both showed sport directions with bold colors and fabric mix with the Preen stipe in place. Biggest qualm for me was the cheap looking denim print. Never again. I beg of the two of you.

Proenza Schouler: Bam! Proenza graphics and sharp silhouettes one expects; while theres nothing new  it's all perfect.

Public School; More and more the design duo's line is being talked about and this collection of evolved basics explains why.

Rag & Bone: Effortlessly cool. From the background to the styles themselves. Basically this is how casual should be done. Point blank chic.

Roksanda Ilincic: Work those color block statements! A very impressive collection this season. Zglad to see Roksanda growing into a well-rounded yet distinct look.

Stella McCartney: Fun & serious. 2 things the Stella customer looks for. I personally liked the first 10 looks (strong silhouettes) and the last 10 looks (full on bold stripes and paisley).

Suno: wasn't feeling it these season.

Thakoon: What can I say I always find Thakoon enjoyable but I also think it's always at risk of becoming a Zara collection that costs more and has better fabrics.

The Row: I don't want to say they are taking notes from Margiela but the fabrics the design aesthetic and the silhouette are putting the Twins at the same level.

Thom Browne: Crazy show is crazy. The aftermath that will actually make it to stores will be crave-worthy. Who knew prep and florals could work. I mean it's overloaded to the max but it's Thom Browne. Somehow the end product always makes sense.

Tory Burch: The things this woman could make me like... In general I am not a fan but when I see the look books and catwalk shows every season it make me understand why she is banking so much. Think Anthro and Banana Republic had a baby.

Valentino: Unlike when Chanel does 90 looks for a resort collection I am ALWAYS excited to go through Valentino's creations. I could have done without the butterfly cammo they are still trying to make happen but everything else was perfection. What other brand can meld the medieval looks they churn out every seasons with 60's style mod dresses?! I especially loved the crazy block graphics and of course the leather laser cut lace. Which is saying a lot since not many people besides Prada F08 can make me feel that way about lace.

Vionnet: Dragonfly print was a cool idea.

Pre-Fall 14 part 2 by Mike Tyle

See below post for the first half and as always I'd love to know what you thought of the looks this season.

J.Mendel- She looks warm but the use of fur isn't taking over. I especially love the chevron fur! Anything ox blood will get my pick and while some of the lace pieces weren't doing it for me the dramatic to the floor dresses are begging to be used all over the red carpet. Can't wait to see who will wear what!

Jason Wu- Cozy and sexy. Two things that do not usually happen at the same time. While there are many dressed up looks they all look easy to wear and effortlessly chic. Maybe it was the cuts or the colors but something was making me think Rodarte, as in what they should be doing... not what they have been doing

Michael Kors- Very clean, back to basics American sportswear approach. Although this is Michael Kors schtick he can do it like none other and reinvents the everyday women's closet every season. This time was no different only I wasn't feeling the 80's bow bibs

Missoni- Great collection! I loved the direction the collection was going in (look 26 aside...) very 60's/70's with cuts and colors I also enjoyed the Dada font has made an extension from the SS14 collectio

Mulberry- a bit blah, I wanted to like it but I don't know if it was the tied blouses or the drab colors but it was giving me a depressing conservative 80's vibe. Maybe it was the terrible backdrop ( Tory Burch and Mulberry must have done their pictures together). Maybe a design director is needed after all..

Prabal Gurung- There is a LOT going on here... from Betty Drapper tops to Saved by the bell colored knits. Oh and let's not forget the latex shoes.

Proenza Schouler- Not much to say except keep up the good work. Again they are doing what they do best. Making interesting clothes in nice fabric

Rag & Bone- Dying when I found out the starting point for the collection was basically 90's chavs. I think it actually translated well. The black was also surprisingly refreshing.

Reed Krakoff- Several Lang elements which isn't surprising in a Krakoff collection. I wasn't a fan of the neon pink pieces, they just look jarring and too technical in comparison to the other colors and the look of the designs. I liked the 40's element of the rouging on several pieces

Thakoon- Zara is going to have a field day with this.

Theory- We've seen massive pilgrim belts the past couple seasons and finally I like it.

Tory Burch- background was killing me, very early 90's elementary school photo... stark contrast to the minimalist prints she was showcasing. Bauhaus and Tory Burch are not names that would normally belong in a sentence together but it is interesting to see her take on it.

Vera Wang- Vera is feeling black and Marni-esque this season I see. Cocoon shapes, boiled wool, fur leather and tweed all worked well for a chic fall feeling. The heavily beaded and sequence pieces were also quite nice and brought life to the otherwise clean looks. I also enjoyed the flower print that was used. Several looks left the model looking like she was playing dress-up though. The flowers on the shoes were distractin

Versace- A very young collection. A mix of bubble gum preppy school girl and rock & roll. While it was missing the usual baroque approach I still found it to read as very Versace.

Zac Posen- It's almost too bad that Zac Posen was born when he was and not 50 years earlier. The pieces he shows every year are something else but they are more like a costume than anything. I am sure there are numerous women who would die to wear his clothes but where to and when? He states several looks are for the MET which is apt but also would only work for the MET

Zero + Marina Cornejo- What I'd expect from Marina Corneja clean simple yet interesting and modern pieces. Monochrome colors and Japanese cuts.

NYFW S/S14 by Mike Tyle

3.1 Phillip Lim: Really great. The theme reminded me a lot of minerals, which duh, but still I think it really shows that there is so much beauty in the world and it can be interpreted in so many ways. The silhouettes were modern yet wearable and I loved the embroidered marble effect on many tops and dresses. Not such a fan of the bags but I enjoyed the Marni-eque shoes with the crystal like embellishments must have been a bitch walking on that rock salt (which looked awesome btw).

Alexander Wang: A.wang commenters come in 2 types the fans and the haters. I get the aesthetic and I appreciate it, he has really done something that not often can happen. Every season his popularity increases and it is safe to say his name is a brand and thus his collection became based on his name. Literally and figuratively. From afar pieces looked to have cool laser cut leather or stamped prints but when seen close up it's all a play on his name. Tongue and cheek or just money in the pocket? I personally do not like my clothing to have branding, for the most part I prefer to wear something because I know what it is therefore I don't need to shout it. But then again I am not the customer he is trying to attract this time he is grabbing at the new client he doesn't yet have. The one who loves a logo but may have been "afraid" for lack of a better term of the modern silhouettes, fabrics and often colorless designs but slap a name on it and they understand it. I do however like the Japanese school girl style skirts and the rubberized shoes.

Altuzarra: I feel like you can't go wrong with Greek isles for spring as a theme or really Greek isles anytime. A strong collection with gypsy element from the past still showing up. Continuing the trend of the mens shirt and calf length skirt. That make-up however was not a good look.

BCBG: A darker look for spring with a nod to menswear in several pieces, BCBG knows what they do best and maintained their youthful punches of bright colored flowers and bold cuts. I enjoyed the pleated side panels on several of the dresses and the shoes and bags will sell well I am sure.

Band of Outsiders: A strong collection with loose, flowing silhouettes. I really liked how the mix between the 90's minimal trend had a romantic feel in the patterns and colors used. There was also a utilitarian feel about the trekking sandals and laced poncho over shirts à la look 14 & 34 for example. 

Calvin Klein: As usual I love anything Costa has touched; this collection is no different. Each season CK is modernity. Structure is at the forefront and this season his architectural side still is showing great stride. Interesting mix of materials and surprising use of color and if anyone knows Calvin Klein runway the surprising mix wasn't just in the clothes. Finally some black models were used. Albeit 4 out of a sea of vanilla but I will take what I can get! Don't even get me started on the fringe dresses as the end I can't wait to see those in editorial use. There were only a few looks I was unsure about namely the colored yarns in #16 (maybe it was the mix with tweed that turned me off) and #18 (the sweater with colored naps is nothing new  and if the model looks fat wearing it...).

Carolina Herrera: same old ladies who lunch as at OdlR every year.

Creatures of the Wind: Still with the quirk they are known for only now a bit more grown-up and edited. I enjoy a good 60's vibe and the bright colors worked well with the value of interesting fabrics which add a new dimension to the silhouettes. No offense to gold but the only looks that really threw me off were the gold lamé skirt with shredded flowers and the gold gaucho pants in basketball shorts fabric...

DKNY: I consider Donna Karan's younger line to be more of a straight to market venture as opposed to runway material. While the collection did showcase neoprene and mesh for the mass market, I considered it a way for the buyer who knows ok this is a "new" enough look for the end consumer to feel high-fashion but won't be too jilted by something to high-end. I wasn't too keen to seeing all the branding but then again it's DNKY. The platform/heeled high-tops on the other hand. No thank you. I did however like the neoprene heels and several of the cleaner looks. Even the mens items I found quite wearable. Sporty casual.

Derek Lam: I'm all for gingham in summer or really anytime and I love the size and colors chosen by Lam for this season. Besides that I found the collection in whole to be a very clean contemporary image and I thought it was well done, turbans and caplets aside. I really enjoyed the fabric from looks 16-18. Look 25 on Hanne Gaby was throwing me some FW07 Balenciaga realness.

Diane von Furstenburg: Over at DvF they have a formula and it works. The dresses always looks great but... this time what was missing was a theme. Unless the theme was a pretty dress, which in that case good job. Minus that cork print which didn't photograph well and I can't see it looking real even in real life. Oh, and python print. Again? It may be a basic over at DvF but I'm over it since 2 seasons ago. The models did look fresh and good job at starting that show out with Erin and ended with Naomi. I mean it wouldn't be a DvF show without a slew of money girls in the line up.

Donna Karan: I feel terrible but I often think of Chico's when I think Donna Karan. Maybe it's because they both have a penchant for bias cut, african print, chunky wood/metal jewelry and grey tones? This is starting to sound like I know a lot more about Chico's than I do... Anyways let's start with the hats. They were really distracting. Also there were enough shirt tents for Ina Garten to be set for a whole season. The mahogany colors and the western elements were very Arizona, which is still better than pastel New Mexico. Oh and can Hilary Rhoda lay off on the steroids! Those muscles are intense.

 Helmut Lang: I am all about a crop top and I found it alive at Helmut Lang. I enjoyed the surprising amount of bags, the straight boxy silhouettes as well. The clothing seemed easy to wear and the colors kept for a clean and crisp palette that only slightly deviated from black and white with a couple looks with a pop of fuchsia. The heels however weren't doing it for me.

J. Mendel: Traditionally feminine, this time with a touch of something out of the arts & crafts movement of the late 1800's- early 1900's. I found it in the use of some of the fabrics, jacquard flower prints, wicker-like woven set ins... but mixed in a modern with fur and python geometrically placed among the cut of the silhouettes in pastel and bright colors. Don't get me wrong it sounds odd and maybe I am the only one who thought of that reference but I think it really worked well. Different than what we have been seeing the majority of the week and also something a bit out of the ordinary for his style, I think the chance paid off. I wish it were a bit more edited or looks laid out a bit differently as a couple styles didn't seem to fit in.

Jason Wu: Not your average Wu collection. Yes, very feminine. Yes, luxurious fabrics. Yes, attention to details. Yes, perfect casting as usual. But what seemed different is how light and easy it all seemed. It's a stark departure from the hard sexy woman he usually portrays. A very toned down color palette of neutrals worked well with the airy and beaded garments. The sexy side was still there shown in the peek-a-boo lingerie elements.

Lacoste:  I always look forward to Lacoste. I really think the direction Felipe Oliveira Baptista is taking the brand is not only right but should be watched closely. He has reinvigorated a heritage line built on basics and shown them in a modern clean way that still nods at the past but moves forward using interesting technical fabrics and cuts. This season the looks were very light and airy framed in tonal & contrast, for a sports brand it can't get more summer than that. Reminded me a bit of Prada, just enough to elevate the collection without taking the real idea of sportswear out of it.

Marc by Marc Jacobs: Quirky and cute what I expect from Marc by Marc. I was getting some Miu Miu vibes from those silk and feather looks at the end which I can't hate. Overall the H.S./vintage/menswear/prints are common themes that never go out of style. Easily wearable and fun; I can't wait to get my hands on all of it!

Marc Jacobs: What you get if the Titanic shipwrecked in Hawai'i. I will say the fabric. construction and detailing did look really well done and not easy. I'm just going to ignore those wigs...

Marchesa: Very feminine and romantic as usual. Lace, flowers, feathers, beading...  after seeing close ups it all just seemed too much, from afar there were red carpet worthy pieces but up close it was almost too intricate in a way it aged the looks a bit. And the hair looked like a wannabe Nina Ricci FW07, which can't be beat.

Michael Kors: Much like Tommy Hilfiger he has that runway down to a science and it wouldn't be NYFW without either of them. Casting was spot on and can Karmen Pedaru not be more of a perfect fit as face of the brand This was american sportswear as it is known with a 70's twist. The menswear this season though need to gtfo. But damn did the models look fresh and alive.

Narcisco Rodriguez: Oh, that's how you make modernism feminine! I always love his collections but this one was especially nice. I can't even think where to start pointing out what I liked about it instead just check it out and dress accordingly next spring.

Ohne Titel: Cool use of knitwear. I liked how it had a futurist 80's robotic feeling mixed with pastel girly-ness. The painted hair was a bit overkill though.

Oscar de la Renta: I can't hate on a ball gown. I mean I think everyone who wants to be a fashion designer, it's because of ball gowns. When it comes to that who else can do it better than OdlR? I mean I don't know who is wearing them besides a movie actress/politician/vogue editorial. But I am sure if I saw an old women on the street wearing it I would DIE.

Peter Som: I am a sucker for neoprene and a good shoe, both of which were done right! I found the tightest looks of the show in the middle where I really got the feeling of the collection, looks 13-29, first half wasn't doing it for me either the silhouettes were odd or fabric mix of the jackets and look 34... not cute.

Proenza Schouler: Umm, I loved it. I mean I always love it. There are not many designers that can excite me like Proenza Schouler, every seasons is consistent. While they have a distinct look it is interesting to see how it has changed throughout the years. This season was no exception the fabrics and finishes were perfect. The silhouettes- very Proenza Shouler, boxy and yet feminine. The accessories on point. The bags were great the tassels seem to be a trend showing up both at several other runways this season and here woven into the bags with metal closures. The shoes alone were orgasmic. I may not be a girl but if I were then those shoes would be mine! The weaving was really interesting and the wooden soles worked perfectly. I also really enjoyed the coats and pants that were sprayed showing the seams, somehow a bit of a Margiela moment. Last but not least the metallic bottoms and halter tops were interesting and brought an average skirt up a notch.

Prabal Gurung: His take on the 50's meets 2013. It seems this seson he took cue from Prada and Raf at Dior. Which I must say I am not as much of a fan of Raf's Dior but I think here it's been well interpreted. A couple of the jackets hems I found difficult (look 8 giving me Pyongyang fashion week vibes...) but I really enjoyed the color range, femininity and mix between silk and plastic fabrics. The presentation itself being a highlight, more interesting than an average walk. Sadly I am sure some looks will be altered for retail, but at least we have seen the intention on the catwalk.

Rag & Bone: 2013 take on 90's modern minimalism à la Prada. Complete with spaghetti straps, clog like platforms and iridescent materials. All in all I found it to be a cohesive collection from the design duo and I quite liked it. My only quip is the flower embroidered see through material, which is very 90's but to literal for my tastes, I was hoping to forget that look was in at one point and time.

Rodarte: What the... I just can't. What happened? Let's think back to a time called Spring 2008. This was when Rodarte really broke and they had something to say, the memento was pushed towards FW08 which bridged both collections together and was everything. Those shoes are still being talked about! Since then they made steady interesting collections with a theme seen in a different way (i.e.- japanese horror flicks or mexican nightwalker) every seasons worked somehow until about SS11 where it got a bit shaky with the printed van Gogh paintings. But at least they had the fabric to back it up. Maybe it didn't translate in image form but in real life you can understand it. Then came the next couple of season which had some high low effects but FW13 happened and well no comment. I think the fact that I've gotten this far without talking about what went down on that runway this season is enough of an issue. Let's just hope these girls look back to beginning again next season because besides the silk plaid shirts and the tweed blazers and a couple pair of shoes...woof. I mean that bias cut zebra print dress is $6,000. Just no, that is wrong. $20 for that at Rue21 is too much. Also, whoever styled this gangsta rockabilly prostitute from the 80's needs to be heavily side-eyed.

The Row: Is it sad that the first thing I noticed was the use of black models? I mean, don't get me wrong the clothes aside I commend them for thinking out of the box in this day and age. I just hope it's not a one off seasonal thing. More diversity more the better! Anyways onto the clothes... as always the twins paid close attention to detail and are known for being meticulous when it comes to fabric choices. Hence the price tag reaching Balmain level. This season the look still had the Row feeling i.e. long draping tunic styles and layers of fabric but it had a bit of a hippie-vibe also. The veils threw me off but maybe rich hippy getting married in Marrakesh was the theme? Also the background was fab. the white linens draped on the walls made it seem so ethereal and cozy.

Ralph Lauren: While it is a different direction from what RL normally puts out (i.e.- tweed) the mod theme looked more Cher from Clueless than swinging 60's. Not a fan of the prints either.

Reed Krakoff: Very nice, I really like how feminine his take on modernity has. Usually I find it is quite stark in past season. This time his use of silk and light creme colors really brought the look. I didn't love the seam tension, I thought it cheapened a couple of the looks... And I thought I would be over florecent chartreuse as a pop but I actually liked it on the shoes, bag was another story... but the bags in general looked really interesting!

Sophie Theallet: Not my favorite collection from Sophie, I found a disconnect between the first half being very feminine with thistle prints that would fit in well at Anthro and the silk gowns she puts down the runway I always look forward to seeing. Both were nice but seemed to be 2 very different end consumers with no middle ground.

Suno: Sticking to their roots in african prints they played with colors, textures and silhouettes. Cute, summery and commercial. The zebra print was a bit Anthropologie and the last 3 looks very the Row.

Thakoon: Not feeling it. I get it, 90's are back. Minimalism, spaghetti straps, lace, silk... and pleather. First off the shoes were whack, I mean had it been Chanel I wouldn't have thought anything of it. Why, because Chanel did similar boots in tweed in FW06 and while they were questionable then it's still Chanel, appreciate but side-eye at the same time. Which reminds me pearl strap purse? I digress... Don't even get me started on the ill-fitted art school fabric mix pleated top (look 6, 22, 31) and the random 2 pleather looks or that Swarvski dangling beads/ neck straps (look 15 and 36). Ok, enough hating. I did like the laser cut lace in the denim fabric and a couple shift dresses. 

Theyskens' Theory: Black for summer! And it works. Very 90's, very Belgian. Both done right in this case. I don't know if this is his best work for Theory, it lacked the detail, not in technique but something was missing... The leather jacket (look 10) & skirt (24) were my least favorite, sorry about it. But the shirt dresses I thought were a nice departure and good direction for something other than the chiffon dresses which might not be as forgiving.

Thom Browne: No doubt about it Browne has been known for years in menswear and has been growing in popularity for a while now. It's hard not to see the red, white and blue tab stick out somewhere and not think of him. Then there is the coat Michelle Obama wore to the inauguration... with that being said something else he has become known for are his shows. Pushing boundaries and coming across as an Americana take on an epic McQueen runway. This season he really showed off his flair for complicated techniques and interesting details with a theme as bougie Elizabethan joker has got people talking.

Tommy Hilfiger: I feel like Hilfiger gets a bad rap in the US, where here in Europe this shit is gold. They have really perfected their branding and image. The new store by my apartment is really nice and I am not even the customer they are trying to get. This season they took beachwear to the next level. Instead of breezy summer dresses we got color block neoprene, 2 things I am obsessed with. Sometimes it seemed a bit excessive, but then again they had 48 looks. It's pushing Chanel/Armani editing level issue. Also the team jerseys and that crocheted business were not needed. Who do they think they are Isabel Marant?

Tory Burch: Zoey Deschanel meets 60's housewife with a penchant for gardening and money to spend.

Vera Wang: Sporty and sexy not what one would expect from a designer who is known more for her darker, subtle looks or demure wedding dresses. I was 50/50 this season I liked the colors, cuts and flowyness of the collection however I didn't like the scrunchies on the arm or the cut up tufts that were sewn to the shoulder or going down the back. It somehow really distracted me from the outfits and cheapened it a bit. It seems every couple of seasons (SS12, some of FW12) Vera tries to making a sporty more upbeat collection, which I am all for, but I often wonder how well the sell through for those lines are.

Victoria Beckham: Who would have thought 5 years ago that Victoria Beckham would be the Victoria Beckham that we see now. She has a distinct direction with a very minimal concise aesthetic which evolves each season. I am always looking forward to see the looks. Well tailored pieces and nice materials finish off yet another great collection. This time less constricting dresses and now a bit more fun, much like her diffusion line (just as well done) Victoria, Victoria Beckham. I can totally picture her and now many others wearing the mens shirt and A-line skirt trend the next coming months. Can't wait!

Zac Posen: The flowers in the hair was pushing the point a bit, but in general there was nothing else new here. As always a Madame Grès approach and a vintage cut heavy looking dress.

Zero + Marina Cornejo: I'd say it's one of the strongest collections she's shown, usually I find her collection in the same way I do other brand a bit art school (Ohne Titel anyone?). This time it reminded me a mix of Damir Doma, a bit of the Row and overall something different from the greasy haired 90's rehash that has become this seasons NYFW go to. I liked the pixilated photo prints, it broke up the beige and black looks and while it was the opposite of the dessert wanderer style it still worked. Also anything shiny I am automatically attracted to so the metal pieces were cool. The purple fabric looked a bit cheap and I get the idea of fabric mix but the neoprene didn't fit well with the linen.